Birthing
~
moving
beyond,
into
this world |
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Vocal music
used to support
the
journey
through the major
life-passages
of birthing
and dying 
Victoria, B.C.
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Testimonial

The following is from a birthing mother,
who used Toning as a supplemental birthing
technique in a hospital birth, and Bedside
Singing as a further support. Pashta
was there for 15 hours of the labour and
delivery. She,
and the mother and father, sang together
when possible having
identified many of the songs to be sung
in advance. Most
of the rest of the time Pashta sang while
the mother and father rested, or dealt
with the practicalities of birthing.
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"Nurses
came into our room smiling
our singing had changed the tone of the
ward. I
felt focused, present. The
songs gave me an outlet and a grounding. When
I was in the OR (for an
unplanned Caesarean), our midwife
asked Pashta to sing outside the door. We
could just hear her over the voices of
the OR personnel, and the music kept us
present and feeling connected to something
beyond this moment. We
call Pashta our baby's 'singer'." GW
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General
support
Although
once the birth has happened all focus will be on cradling
the child, during labour it is the mother (and
perhaps her partner) who needs cradling
i.e. as supportive and nurturing an environment as
possible. Especially
towards the end when the contractions are longer and
stronger, she has little attention available for talking
or other forms of distraction. It
can be difficult for the mother to both physically
relax, and stay distracted from the exhausting length
of the birthing process, in between contractions
both of which states are important for help her deal
with the sensation of pain and keep up her energy
for the actual delivery. Bedside
Singing can be a helpful distraction in
between contractions; but more specifically may aid
the mother to drift into a restful state, or even
fall asleep when possible, in response to the lullaby-like
nature of the chants. It
is likely that her co-parent or other birth coach
will also be tiring (either physically
or emotionally, or both): and Bedside
Singing can help them to 'take a break'
and relax, or even sleep for a short period of time.
Birthing
is an extremely emotional process: and it is not unusual
for all kinds of fears to emerge that the mother (or
even the co-parent) hadn't even considered
as 'at issue'. Because
of the intensity of the birthing process, these fears
are likely to appear life-critical. Sometimes
if there is a problem with the birthing, or some risk
to the mother and/or child
they really are, but it doesn't help the birthing
process to respond to them in crisis-mode. Although
the fears or other issues must be dealt with eventually,
now is not the time to process them in any depth verbally
(although that may be necessary after
the birth). Again,
Bedside Singing
offers a temporary distraction from the fears
and possibly even some calming of them, as the repeated
message of the chant encourages the mother to relax
and trust her caregivers.

Support
in toning
Bedside Singing
can be particularly helpful if a birthing mother chooses
to deal with her contractions through a specific form
of Toning
developed for this purpose. Birth
Toning is a tool, in which the birthing mother converts
the moans/groans of contractions into a low sung note. Proponents
of this technique claim that it has direct physical
effects on the loosening and stretching of the cervix,
as well as lengthening the breath, etc. What
is more obvious is that it assists the mother to convert
the work of the contraction into a different kind
of effort (the toning); and
therefore, can help to distract her from the sensation
of pain (that is, to avoid her triggering
into fight/flight or panic mode, and stay focused
on her breathing). Bedside
Singing support reminds the mother to use
the Toning with each contraction
but also adds to it, by harmonizing over her Toning
note. This
helps her to focus on her own sung note as creating
music, rather than as a response to pain.
Although
most birthing mothers lose their concern about making
embarrassing noises during contractions pretty quickly,
Toning can help this to happen sooner. The
harmonizing from the Bedside
Singer can add to this effect, even as
the contractions become stronger. Family
members of other birthing mothers, waiting in the
hallway of a hospital, have even commented that they
are hearing the contraction noises as music; and wondered
why they weren't hearing the more typical moaning
sounds.
Intimacy
Giving
birth to a child is a very intimate activity
and especially if it is a hospital birthing, it already
has enough clinical people involved. If
the birthing mother is comfortable with the Bedside
Singer, the presence of live background
music can distract her from the more clinical elements
of dealing with the labour and delivery, and help
to keep the process more personalized. However,
because birthing is such an intimate experience, it
is important that the mother and Bedside
Singer meet beforehand
not only to identify songs/chants that would be particularly
meaningful or restful for her, but to get a sense
as to whether the mother would feel comfortable with
that particular singer being present during the birthing
process.

Hospital
and crisis situations
If
a crisis occurs, it may be that the Bedside
Singer needs to leave or remain out of
the way: however, especially if the mother and midwife/doula/birth-coach
are comfortable with the singer's presence, continuing
to sing may help everyone to keep calm. If
the delivery needs to move into an operating room,
it is likely that the Bedside
Singer will not be included amongst those
present: however, consideration may be given to the
mother's wishes
including having the singer present during a caesarean/etc.
(in one case, the singer was allowed
to sit in the doorway of the operating room and continue
to sing
at the request of the midwife).
Hospital
birthing rooms are usually not very large. If
a crisis happens in which the doctor or midwife feels
that it is no longer appropriate to include the singer,
they may need to leave the room. If
at all possible, the Bedside
Singer should remain available (although
this might lead to long waits in the visitor's room),
in case the situation changes and the mother wishes
to have the singer's support again
including after the birth, especially if she does
not have a co-parent/partner.

Limitations
and further notes
If
the birth is at home, family or friends may be present:
and it is likely that there will be little room for
them and the midwife and/or doula
never mind the singer. Fortunately,
Bedside Singing
can be done from any corner of the room, or even in
a hallway
although it is better if the singer can keep sight
of the mother, in order to assess what her needs might
be (re the singing) at each
moment.
Bedside
Singing
is primarily done to support the mother, but must
be considerate of everyone else involved
birth coaches/co-parents, doctors and/or midwives/doulas,
and any hospital staff
to not get in their road, or distract the mother when
they need her attention. If
at all possible, the Bedside
Singer should also meet the midwife or
doula in advance of the labour
since they must also feel comfortable both with the
singer's contribution, and with requesting appropriate
changes in the music or the singer's presence during
the birth. It
is wise for the Bedside Singer
to have some training and/or experience as a birth
coach (if at all possible),
since it is likely
even if there is a birth coach present
that the singer will need to help with those kinds
of support to the mother, and/or simply be aware of
what is intended and adjust the music to aid its purpose.

Please click on Visits
(left menu) to find out how
to make arrangements
for a Bedside Singing
visit in the Victoria, B.C.
area.
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